Monday, April 30, 2007

April Film Journal

The Fallen Idol (Carol Reed, 1948)
Carrie (William Wyler, 1952)
The Letter (William Wyler, 1940)
Marty (Delbert Mann, 1955)
Counsellor at Law (William Wyler, 1933)
A Moment of Innocence (Mohsen Makhmalbaf, 1996)
Marie Antoinette (W.S. Van Dyke, 1938)
Volver (Pedro Almodóvar, 2006)
Seconds (John Frankenheimer, 1966)
All About My Mother (Pedro Almodóvar, 1999)
Nashville (Robert Altman, 1975)

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Friday, April 27, 2007

A Quick Post from the Other Side

Well, folks, I hope to return to regular blogging before too long. Things at work have taken a turn towards insanity lately, but I'm aiming to get back to the land of the living one of these days. For now, it's deadlines, deadlines, deadlines.

Hope everyone is doing well. Many thanks to those of you who have e-mailed me. You amuse me, keep me sane, and brighten my days, and it is always great to hear from you, no matter how busy I am.

Wednesday, April 18, 2007

Athens Stories, Part 2

My grandmother was an extraordinary cook. Moreover, cooking was an absolute joy to her (I've been told I take after her a bit in both temperment and looks, but I didn't inherit her total adoration of cooking, nor her great culinary skills). She was old-school, where everything was made from scratch, and she somehow knew how to walk into a kitchen and throw a meal together out of just anything—a testament to Depression-era cooking, no doubt.

Breakfast was a big deal, and I remember waking up to gigantic spreads of food whenever my family visited. Surely she didn’t cook like this all the time, but she went all out when we were there (this was before the era of health concerns, obviously). Homemade biscuits were the staple. The light and fluffy creations were shaped by hand, and she served them with butter (of course) and a choice of syrup, honey, or jelly. Bacon was served on the side, and because one type of meat was obviously not enough, she would cook up some sausage, too. Naturally, if she was frying sausage, she was pretty much obligated to add some flour to the pan drippings and whip up some sausage gravy. If this gravy wouldn’t do, she could offer alternatives: tomato gravy or, if she'd cooked country ham, red-eye gravy (for the coffee lovers). And she couldn’t forget the grits—this was a Southern meal, after all.

All of this brings me to my favorite biscuit-related story (and everyone should have one). As my grandmother told it, she had made a fresh batch of biscuits many years back and had set the skillet on top of the stove so the biscuits could cool a bit. My cousin Kermit (yes, I know—other than the frog, who else has that name?) was back in Athens for a visit with his parents, the aunt and uncle discussed in the previous story. My grandmother hadn’t seen him that morning, but she knew he was next door at my great aunt's. Since no one was with her to partake of the hot biscuits, my grandmother went about her household chores. Kermit could help himself when he stopped by.

A little while later, she heard someone in the kitchen. From the dining room, she peeked around the corner to see Kermit, with his sandy blond hair, his boots, and his jeans, standing over the stove with his back to her, looking as if he had a knife in his hand and was buttering a biscuit for himself. He must have smelled them through the kitchen’s screen door and made a beeline for the treats. Who could blame him for diving on in? She turned to finish up her work, leaving him to enjoy her cooking.

When she was done, she went back into the kitchen to find that every single biscuit was gone. For that matter, Kermit was, too. Well! Not that my grandmother would have begrudged a biscuit to anyone, but this was puzzling, to say the least. Had the boy been starving or something?

A bit later in the day, Kermit returned, and, naturally, she just had to ask him why he ate all of the biscuits. He looked completely blank and asked, "What biscuits?" She told him she’d seen him in the kitchen eating them, but he seemed clueless and denied it. Then it began to sink in as she finally took a good look at him. Sandy blond hair? Yes. Boots? Um...no. Jeans? Nope.

?!?!

She never did discover who her guest was that morning. Obviously, this story is a testament to an era when nobody bothered to lock their doors. Can you imagine a total stranger in your house nowadays? Yikes. To a passerby in need of a free meal, I guess this whole scenario was the perfect invitation to just come on in, and I'm thankful he was only after the biscuits. What I really love is how he took the time to seek out the butter and also, apparently, the jelly while he was there. Hey, if you're going to do something, might as well do it right, huh?

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Thursday, April 05, 2007

Athens Stories, Part 1

My late grandmother Rosanna lived in Athens, Tennessee, and she told some terrific stories about my family, the house she lived in, and various people in the town. My sister and I have always said we needed to get these stories down before we forget them. We'll see how this goes. I'll start with a little story from my family's history.

My aunt (one of my grandmother's three children) and uncle had an unhappy marriage. She was a lovely young woman who was a teacher, and he was an ex-serviceman who must have been quite the charmer. Family lore says he spent a mere matter of days in the military before getting discharged with a heart condition—something everybody always says he faked. I'm not really sure how you fake a heart condition, but I've heard he was a master malingerer.

Anyway, they met on a street corner—a day my saintly grandmother described as being one of the darkest days of her life. They married, and he proceeded to lie around the house while my aunt went to work to support him and, eventually, their two kids. This ne'er-do-well was, reportedly, a great cook—he held down a job as a chef for a few months at a swanky club in Athens. But that didn't last, so he turned to other endeavors, including spending my aunt's paycheck on western wear; as the story goes, he blew $500 on cowboy boots and other accoutrements.

One day, he was lying in bed as usual, and my aunt had gone off to work. My elderly great-grandfather, a former Baptist preacher, decided he agreed with the book of Proverbs—that if you spared the rod, you would spoil the child. Apparently, this line of thought extended to in-laws who were all grown up. So he broke off a branch from a tree, went into my uncle's house and then into the bedroom, where he proceeded to dole out some punishment to the Slumbering One.

The end.

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Monday, April 02, 2007

March Film Journal

The Marquise of O* (Eric Rohmer, 1976)
The Collector (William Wyler, 1965)
Naked (Mike Leigh, 1993)
These Three (William Wyler, 1936)
The Children's Hour (William Wyler, 1961)
Holiday (George Cukor, 1938)
Cape Fear (J. Lee Thompson, 1962)
Marie Antoinette (Sofia Coppola, 2006)
Monsieur Verdoux (Charles Chaplin, 1947)
The Killers (Marika Beiku, Aleksandr Gordon, and Andrei Tarkovsky, 1958)
The Killers (Robert Siodmak, 1946)
Young Mr. Lincoln (John Ford, 1939)
A History of Violence (David Cronenberg, 2005)
Requiem (Hans-Christian Schmid, 2006)
When a Woman Ascends the Stairs (Mikio Naruse, 1960)
Cléo from 5 to 7 (Agnès Varda, 1961)
Muriel (Alain Resnais, 1963)
A Face in the Crowd (Elia Kazan, 1957)
Aguirre, the Wrath of God (Werner Herzog, 1972)
Badlands* (Terrence Malick, 1973)
The Royal Tenenbaums (Wes Anderson, 2001)
Fitzcarraldo (Werner Herzog, 1982)

* repeat viewing
italics - theater viewing

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