Monday, January 14, 2008

"Excuse me, but I think you're in my car."

I had to knock on my own car's window and say just that to two older ladies who decided my car was their car after we all left a wonderful Shostakovich concert a little over a week ago. Silver cars are a dime a dozen, and I walked to one a couple of cars down from mine and hit the unlock button on my remote. I didn't see the headlights flash, so I thought, "Oh, that's not my car." Meanwhile, I had managed to unlock my own car's doors. These two ladies were close behind me, and they saw my car's lights flash and thought they had unlocked their car. What do you know? A comedy of errors! I turned back to my actual car and saw them getting in, so I thought once again, "Oh, that's not my car." Then I wandered around a bit wondering where the heck I had parked and knowing that I had left my car in the general vicinity. Finally, after briefly considering the terrible prospect that maybe my car had been stolen, I pressed the remote again and saw my lights flash. I also saw the two women sitting inside. So I proceeded to tell them they were in the wrong car. I love how they just ignored all of my stuff—umbrella, gloves, empty gum package. The lady in the driver's seat simply said, "Well, honey, this IS your car." I mean, what else could she say, really? The passenger said, "Well, this is the first time anything like this has ever happened!" The driver replied, "Well, no, there was that one time Judy drove off in someone's Cadillac." Hmm. Anyway, they were parked right next to me. Call me crazy, but if you arrive at the symphony wearing a fur coat and driving a Lexus, why on earth would you think you'd be driving home in a Corolla? Way to downgrade, ladies!

Wednesday, January 02, 2008

December Film Journal

Boyfriends and Girlfriends* (Eric Rohmer, 1987)
No Country for Old Men (Ethan Coen and Joel Coen, 2007)
Grey Gardens* (Ellen Hovde, Albert Maysles, David Maysles, and Muffie Meyer, 1975)
Juliet of the Spirits (Federico Fellini, 1965)
Day for Night (François Truffaut, 1973)
Killer of Sheep (Charles Burnett, 1977)
White Christmas* (Michael Curtiz, 1954)
Salaam Bombay!* (Mira Nair, 1988)
Meet Me in St. Louis* (Vincente Minnelli, 1944)
It's a Wonderful Life* (Frank Capra, 1946)
Away from Her (Sarah Polley, 2006)
Streetwise (Martin Bell, 1884)
The Roman Spring of Mrs. Stone (José Quintero, 1961)
Love in the Afternoon* (Eric Rohmer, 1972)
The Little Girl Who Lives Down the Lane (Nicolas Gessner, 1976)
All the King's Men (Steven Zaillian, 2006)
3 Women* (Robert Altman, 1977)
Rebecca* (Alfred Hitchcock, 1940)
Anastasia (Anatole Litvak, 1956)
Lolita (Stanley Kubrick, 1962)
Heaven Can Wait (Ernst Lubitsch, 1943)
Harvey (Henry Koster, 1950)

*rewatch
theater

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