Thursday, May 17, 2007

Symphonic Ramblings

My life has been increasingly harried lately, but this weekend, I'll take what amounts to a mini vacation, even if it only lasts a couple of hours or so. I'll be going downtown to hear the Alabama Symphony Orchestra perform Beethoven's Symphony no. 3 (the Eroica), a true watershed moment in the history of the composer as well as in the history of music itself. (You can listen to it and read about it here. Check out the fun anecdote in the first paragraph under "A Closer Look.")

I've had a soft spot for Beethoven for years. I spent many, many hours in the music aisles of my college library researching his life and music for a paper and speech. Accounts of his life break my heart more than a little—the pain goes beyond the obvious tragedy of his deafness. All of this can be heard in his works, which ushered music from the refined Classical Period to the stormy and dramatic age of Romanticism.

I should go to more events like this, and from now on, I plan to. About a month ago, I decided to check the orchestra's Web site, and I found that the season was almost over. I had missed Dvorak's wonderful Symphony no. 9 (From the New World, and anybody who's a fan of classic Westerns and the music in those films should check this out—very influential), along with the magnificent Symphony no. 1 from Brahms. But things started to look up when I discovered a letter from the new conductor. Apparently, his goal is to perform all nine of Beethoven's symphonies over the course of three years, starting with the current season. That meant I'd already missed his first two (which I have never heard). Ah well. I may have missed the appetizers, but I found out just in time to enjoy the main course—this one, my friends, is where Beethoven came into his own. And to think that he had been considering suicide around this same time period.

So next season will bring us Symphony no. 5. The season after that will include no. 7 (the second movement is my favorite; some here have heard it used very effectively in Karloff and Lugosi's The Black Cat). And then, a bit later, oh my word, we shall hear no. 9. That might be too much for me. (Can you tell I especially go for the stormier odd-numbered ones?)

Anyway, I’ve not been around an orchestra for years (other than a small one at church). I guess the last time I heard a "real" orchestra full of professional musicians was many years ago when I attended a performance of Verdi’s Rigoletto. Before that, I went to the symphony sometime in my early teens, but that was actually a night of show tunes. All I remember are many variations of "Hello Dolly" and a man a couple of rows in front of me who kept waving his arms and pretending he was playing the trombone. Then there was my art survey class in college, which doesn’t really count, but I like the story anyway. This class met in the music building, and an orchestra down the hall rehearsed the same piece of music during every class for weeks. The art wasn’t dull, but the professor was, so I found myself concentrating on that beautiful, stirring music. When they finally stopped playing it and moved on to something else, I was crushed. I’ve never heard that piece of music again, and I still have no idea what it was.

All of this scattered post is really just my way of saying I’m excited about this weekend. And now I must ask a question out of curiosity: Does anyone here dabble in any kind of music, play an instrument, etc.? Heck, feel free to list your favorite symphonic works if you’d like.

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10 Comments:

At 11:21 PM, May 18, 2007, Blogger John Adair said...

Diane,

I don't play music, but I've got a recorder sitting around that I keep thinking I'll play around with.

My favorite classical piece is Rachmaninov's Piano Concerto No. 2, which might be one of the reasons I liked Brief Encounter so much. The adagio in that piece is sublime.

I like Beethoven quite a bit as well. I've got all the symphonies around here somewhere, and my son has been digging number 5 lately, a symphony that seems even more aggressive with a little one around to act as a kind of soft and innocent contrast. I also like the Dvorak you mentioned, as well as a little Debussy.

 
At 10:03 AM, May 21, 2007, Blogger Aaron White said...

I played piano long enough to know I'd never be good at it. I have a little Casio I use to pick out my notes whenever I do a musical. I also have a rusty slide whistle somewhere. I'm underinformed about classical; it's like opera. I enjoy it but haven't delved deeply. I hope you enjoyed the concert!

 
At 11:01 AM, May 21, 2007, Blogger Unknown said...

Shostakovich is my main man.

 
At 12:46 PM, May 21, 2007, Blogger Diane said...

As I've mentioned here before, I am a failed guitarist.

Well, the concert was glorious. Here's the full program:

Weber: Overture to Der Freischütz, J. 277

Elgar: Concerto in E minor for Violoncello and Orchestra, op. 85

Beethoven: Symphony No. 3 in E-flat major, op. 55, Eroica

I bought the most affordable ticket, but I bought early, which really paid off. I was afraid I would be in the very back, stuck behind a sea of heads, but it turned out that I was on the third row from the stage (which was elevated), with a perfect view of the conductor, the guest cello soloist, and the strings. And what amazing sound! I'd read the venue was acoustically perfect, and it certainly seemed so.

Weber's overture was thrilling, but the biggest surprise of the night was Elgar's concerto. I'd not heard anything of his before, other than Pomp and Circumstance, which, of course, gets played at every graduation ceremony. I didn't know what to expect. This concerto, which seems to reflect the end of an era and the loss experienced because of World War I, was so moving and beautiful that I found tears in my eyes during the first movement. And the soloist, Anne Gastinel, was brilliant. Interesting side story here: I ran to the library last week and noticed they had Elgar's concerto on CD, so I checked it out, knowing this would be performed. Turns out the concert's soloist was the same woman on the CD, and the conductor on the CD is now our current conductor (the CD came out a few years ago when he was working for the City of Birmingham Symphony in the UK). Too many coincidences!

The Eroica was thrilling and wonderfully performed. It makes quite a difference when you're already familiar with the music. Such a wonderful composition-- rooted in the Classical style, but heading off in so many new and unpredictable directions. Very bold.

Definitely a wonderful experience.

John, you've got me wanting to see Brief Encounter again. That Rachmaninov piece is practically a character in itself.

What's the best place to start with Shostakovich? I see the symphony performed several of his works earlier in the season.

 
At 1:52 PM, May 21, 2007, Blogger Aaron White said...

I went to an opera at the Alabama Theatre a few months back (I don't remember the exact title, but it was basically Cinderella with a few plot twists) and was amazed at how good my seat was. It was a comp, and there were lots of empty seats down front around me and my crew. I was surprised folks in the cheap seats didn't saunter on down to fill in the unused good seats, but I guess that kind of behaviour would be considered gauche at the opera.

 
At 3:50 PM, May 21, 2007, Anonymous Anonymous said...

Oh, I love Shostakovich too! Go for the 5th symphony. Hm, and 1st cello concerto.

I'm a big fan of etudes because they can be so showy and impressive. Anything Liszt or Chopin.

And as long as you're feeling Beethoven, grab the Appassionata (piano sonata - op. 57).

Yeah, I like the loud, poundy ones. Can you tell?

 
At 3:59 PM, May 21, 2007, Blogger Diane said...

Oh yes, I own a copy of the Appassionata. Great stuff.

And I can listen to Liszt and understand why all the women were swooning when he played.

I'll have to track down some Shostakovich. Thanks for the tips!

 
At 4:12 PM, May 21, 2007, Blogger Unknown said...

My favorite Shostakovich symphony is #14. I'm also a huge lover of Shostakovich's 'The Jazz Album'

 
At 11:56 AM, May 22, 2007, Blogger Diane said...

I went to the Saturday performance, and this is a review of Friday's, but I'll add this here for posterity.

 
At 12:29 PM, May 22, 2007, Blogger Aaron White said...

Wow. The B'ham News' classical reviewer actually seems to have some technical knowledge. I'm jealous. The News' theatre critics barely know to face the stage instead of the back wall.

 

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